Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational ...(展开全部)

Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational ...(展开全部)

Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational ...(展开全部)

Even the most enthusiastic of maths students probably at one time wondered when exactly it would all prove useful in ‘real life’. Well, maths reaches so far and wide through our world that, love it or hate it, we’re all doing maths almost every minute of every day. David Darling and Agnijo Banerjee go in search of the perfect labyrinth, journey back to the second century in pur...(展开全部)

Even the most enthusiastic of maths students probably at one time wondered when exactly it would all prove useful in ‘real life’. Well, maths reaches so far and wide through our world that, love it or hate it, we’re all doing maths almost every minute of every day. David Darling and Agnijo Banerjee go in search of the perfect labyrinth, journey back to the second century in pur...(展开全部)

费莉希蒂·海斯-麦科伊出生在爱尔兰的都柏林。作为一名撰稿人，她的作品所涉及的领域包括电视和广播戏剧、故事片、纪录片、剧本和改编本，电影剧本，音乐剧本，儿童文学和互动多媒体作品。 她的丈夫威尔弗雷德·贾锝是一名歌剧导演，他们夫妻二人平时居住在爱尔兰的寇卡戴瑞夫尼和伦敦的博蒙德塞区。烹饪，园艺和写作是她最喜欢的事情。 《世界尽头的图书馆》是她的小说处女作。

"Music at the Limits" is the first book to bring together three decades of Edward W. Said's essays and articles on music. Addressing the work of a variety of composers, musicians, and performers, Said carefully draws out music's social, political, and cultural contexts and, as a classically trained pianist, provides rich and often surprising assessments of classical music and o...(展开全部)

From Publishers Weekly Though best known for his political writings (Orientalism), Said was also, from 1986 until his death in 2003, the music critic for the Nation, and this collection draws together reviews from that publication and other magazines. Said had very firm opinions and lashed out against New York City's classical music scene in the 1980s and early '90s for produci...(展开全部)

威廉·哈维，英国伟大的生理学家和胚胎学家。 田洺，中国科学院科学传播中心主任、中国科学院自动化研究所科学艺术研究中心首席科学家顾问，曾任中国科学院研究生院教授。

威廉·哈维，英国伟大的生理学家和胚胎学家。 田洺，中国科学院科学传播中心主任、中国科学院自动化研究所科学艺术研究中心首席科学家顾问，曾任中国科学院研究生院教授。